Sunday, October 31, 2010

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"ARE COMING TO SEE THE HOUSE OF THE MONSTERS"

Niente paura, la mia sparizione non è dovuta ad un mio pellegrinaggio to Avetrana as tripper with macabre religious ambitions. I did not bring a flower on the grave of the poor girl and I have not even participated in a carefree way in gitarella Deledda for me the now famous photograph in front of the gate.
But there are those who did. During the day highlight of this family tragedy, here come the ladies with a straight face and allow themselves to be contrite interview by a journalist at random to have their say on a case that now seems more a fiction series, a drama and actual . The terrible thing is that you just say, 'I am a mom and I am here to bring a little flower on the grave of Sarah "and stationed in front house "Sabbrina" to show they are there only to gather in a public prayer and visible, rather than the intimacy of their lives.
"I came to see the house of monsters," said a girl with clever air behind the barriers placed in Via Deledda, a bit 'like when you change from Lag oil and you go to see George Clooney's villa.
The drama in the drama too. The smallness of the media and people who have taken this incident as a reason to organize gitarella Sunday, mainly due to morbid curiosity to which we have used the TV in recent weeks. "Sabbrina" stava diventando merce da reality, il padre era stato marchiato col fuoco, e comunque vada, l'etichetta di "mostro" non se la toglierà nemmeno se per espiare si reinventerà missionario in Rwanda. Tutti sono colpevoli, anche la D'Urso e Sposini lo sono, è colpevole Salvo Sottile, Giletti, Milo Infante e chi si è abbeverato da questa ciotola troppo piccola per dissetare tutti. Sono colpevoli quegli imbecilli che si sono fatti la gita ad Avetrana e che hanno parlato davanti una lucina rossa per testimoniare ai posteri che loro la casa di "Sabbrina" l'hanno vista dal vivo e che magari hanno anche intravisto la figura di sua madre dietro le finestre.
Ormai si dice "il caso di Sarah Scazzi "as if it were a guarantee of plays. They talk about you almost never happened but it was just a" case "the abstract, without substance and without ever ver had a life or a specific identity." Sabbrina "now is not the imagination Ferilli, the true" Sabbrina "this girl is full of mysteries and contradictions that has seen the popularity thanks to a tragedy from which the average person has not yet resumed.
It is not over yet, still have to talk about it, but maybe not to see that gate in the background discourage hikers from adventure to the macabre Avetrana. But as long as able Salvo Sottile a portare a se 4 spettatori invece che 1, "Sabbrina" e quella povera famiglia straziata dal peggiore degli incubi, avranno ancora tanto da regalare a lui e al telespettatore da gitarella che di questa storia non ne ha mai abbastanza.